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Skip to Search Results- 43Campbell, Sandy
- 28Parlee, Brenda
- 27GAPSSHRC
- 22Dorgan, Marlene
- 21Tjosvold, Lisa
- 16Karsgaard, Carrie; Mackay, Mackenzie; Catholique, Alexandria
- 364Graduate and Postdoctoral Studies (GPS), Faculty of
- 364Graduate and Postdoctoral Studies (GPS), Faculty of/Theses and Dissertations
- 83Toolkit for Grant Success
- 68Toolkit for Grant Success/Successful Grants (Toolkit for Grant Success)
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Results for "Indigenous"
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2018-04-24
SSHRC Awarded CG 2018: This interdisciplinary, cross-cultural, and bilingual (English-French) conference sets out to compare Indigenous, Anglophone Canadian, and Québécois feminist production today-- including literature, theory, music, digital art, and film. The conference focuses on notions that
have historically fuelled feminist thought and, in particular, taken on new forms with the second millennium, namely: 1) Indigenous women's voices and perspectives; 2) the ethics of care pioneered by earlier feminist research and reworked by contemporary scholars; 3) women and history; 4
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Fall 2018
previous investigation of the dramaturg working in intercultural contexts by Mayte Gómez, and recent research into Indigenous dramaturgies by Lindsay Lachance, and argue for the importance of self-reflexivity and articulation by the dramaturg to create productive intercultural dramaturgy relationships.
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Spring 2015
This dissertation develops a “Northern Textual Ecology,” a methodological approach that posits a correlation between the geo/meteorological forces of the north and the literary texts, Indigenous and other, of the north. I suggest that both the actual land and literary texts are environments: both
forms of weather become indistinguishable, the atmospheric feeding into the affective, because so much of life in the north depends on actual weather. Theorizations of the north’s actual weather come from Indigenous cosmologies, specifically the Inuit concepts of Sila, isuma, Sedna. These cosmological
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Tracking Change: Stories of Change: A Side Event of the United Nations Permanent Forum on Indigenous Issues May 2, 2019 - Public Presentation and Discussion
Download2019-02-01
Howlett, Tracy; Parlee, Brenda
currently comprises a network of more than 60 Indigenous, Caboclos/Riverine and ethnic Lao/Thai communities and partner organizations from northwestern Canada (Mackenzie), Tapajos (Lower Amazon) and the Lower Mekong River Basins. The purpose of the project is to build capacity for Indigenous peoples and
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Reclaiming Ethics, Decolonizing Libraries: Exploring a New Intersectional Framework for Allyship and Ethical Practice
Download2019-02-08
The intersection between Indigenous allyship, intellectual freedom, and social responsibility lies on unsteady ground and is understudied in LIS literature. This presentation employs critical analysis to explore where the tension lies between these concepts and forwards a new interdisciplinary
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Spring 2022
women and their families living at the study sites. Using approaches from Indigenous, feminist, and historical archaeology as my theoretical foundation, I also engage the artifact assemblages with the Cree and Métis concepts of keeoukaywin and wâhkôhtowin in mind. These concepts translate into “the
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Community-Driven Research in the Canadian Arctic: Investigating the Effect of Dietary Exposure to Methylmercury on the Severity of Chronic Inflammation and Gastric Neoplasia in Populations with an Elevated Risk of Gastric Cancer
DownloadFall 2017
Introduction While gastric cancer has been declining in incidence for decades globally, it remains a major cause of death. Evidence suggests that Indigenous populations worldwide experience a higher burden of gastric cancer relative to non-Indigenous populations residing in the same geographic
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Indigenous interventions at Klahowya Village, χʷayχʷəy Vancouver / unceded Coast Salish Territory
Download2014-01-01
əy2 – asserts a limited form of ‘visual sovereignty’. Michelle Raheja has described this practice in indigenous filmmaking as one that addresses settler populations by using stereotypical self-representations while it connects to aesthetic practices that strengthen treaty claims and more traditional
conventions. Expanding on Raheja’s analysis of visual sovereignty in indigenous filmmaking to consider the performative aspects of a live event, I demonstrate here the significance of the embodied experience of both performers and audience at Klahowya Village layered over the archival architecture of this