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- 88Various
- 86CIHR
- 59University of Alberta Symphonic Wind Ensemble
- 53University of Alberta Concert Choir
- 51University of Alberta Concert Band
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2015-04-03
Pipeline construction can disturb land through vegetation removal, soil mixing and compaction, and destruction of biological crusts (microorganisms, lichen, moss). Most efforts to restore native rough fescue after pipeline construction through soil replacement and/or rough fescue seeding have...
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2023-12-20
The topic of women's pockets often go overlooked, in this paper I will focus on pockets from 1600-1800 in Britain. I will consider the importance of pockets in women's dress and the question of ‘what relationships did women have with their clothing?’ This will include the origin and history of...
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2016-06-07
Andrew C. Hellmund, Peter Hide (Supervisor)
My sculptures encourage the viewer to project their own experiences onto the work, to question the facts of visual existence with the engagement of movement, form, and texture. While I draw immense inspiration from Swing dance, Jazz music, Cubist forms, and Modernist Sculpture (including works by...
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Policies for establishing hybrid poplar plantations on private and public lands in western Canada for bioethanol feedstock: A forest-level financial analysis. (Woodstock Models)
Policies for establishing hybrid poplar plantations on private and public lands in western Canada for bioethanol feedstock: A forest-level financial analysis. (Woodstock Models)
Download2020-01-01
Shooshtarian, Ashan and Anderson, Jay A. and Luckert, Marty K. and Armstrong, Glen W.
We develop a forest-level model that considers hybrid poplar plantations on private and public land, and estimates how the plantations impact harvest levels and net present values. With this model we simulate three policy changes: 1) hybrid plantations on private lands, with allowable annual cuts...
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2022-06-01
Qamar, Sayyad Zahid, Pervez, Tasneem
Conference Abstract. Part of the Proceedings of the Canadian Society for Mechanical Engineering International Congress 2022.
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Portfolio of Works: Composing Perceptions of Time in Music
2023-04-30
Audio recordings found at https://ualberta.aviaryplatform.com/r/wd3pv6cm2k Thesis found at https://doi.org/10.7939/r3-h15r-mp10
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2023-04-30
This portfolio contains three compositions whose primary aims are to manipulate perceptions of time through sonic contrast and similitude. The works also explore composing performer interactions, integrating electronics into an acoustic environment, and using varying levels of indeterminacy to...
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Portfolio of Works: Exploring Multimovement Structure, Storytelling through Large Ensemble Orchestration, and Creating Music with Social Impact
Download2023-04-30
This portfolio includes three original music compositions that explore long forms with multimovement construction, storytelling through large ensemble orchestration, and writing music that has social impact. Instrumentation for these pieces range from a minimum of two to seventy performers and...
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Portfolio of Works: Improvisation in Performance and Compositional Process
2018-
The portfolio of original works contained herein explores creative possibilities of adaptive musical score, improvisation, and chance, in new music. This investigation is carried out through the creation of three new works; two for chamber ensemble (one which includes an electroacoustic software...