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Skip to Search Results- 2Couture, Selena
- 2GAPSSHRC
- 1Anderson, Sharon
- 1Angelopoulos, Vassilis
- 1Auster, H. U.
- 1Bailer, Ashley D
- 16Graduate and Postdoctoral Studies (GPS), Faculty of
- 16Graduate and Postdoctoral Studies (GPS), Faculty of/Theses and Dissertations
- 5Toolkit for Grant Success
- 5Toolkit for Grant Success/Successful Grants (Toolkit for Grant Success)
- 2Drama, Department of
- 2Drama, Department of/Other Publications (Drama)
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2020-01-02
SSHRC IDG awarded 2020: This IDG project probes how contemporary Italian theatre responds to the Mediterranean migration crisis and its political exploitation, challenges the simplistic, populist binary of us/other, and enables migrants to enter the public sphere as worthy interlocutors and...
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Fall 2016
Canadian theatre has always been an exercise in inter-cultural negotiation, yet in the past few decades, the official multicultural legislation has provided opportunities for more artists belonging to ethnic minorities to consciously diversify our country’s theatre practice. Montreal based...
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2017-01-01
Couture, Selena, Dick, Alexander
Richard Brinsley Sheridan's last play, an adaptation of August Von Kotzebue's Die Spanier set in Peru and first performed in 1799, was one of the most popular of the entire century. Set during the Spanish Conquest of Peru, Pizarro dramatized English fears of invasion by Revolutionary France, but...
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Spring 2012
Traditional analyses of Anabaptist action continue to be problematized by substantial theological, social, economic, ethical, and political disparities defining the early decades of sixteenth-century Anabaptist movements. This dissertation is offered as a “reconciliation,” as an attempt to...
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Fall 2017
This interdisciplinary and intersectional thesis addresses the cult of Artemis Orthia at Sparta and particularly the 6th century BCE grotesque terracotta masks recovered there by the British School of Athens in the early 20th century. Using both material culture and literary data as primary...
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Fall 2016
The following is an analysis of Emmanuelle Marie’s 2003 play CUT as it intersects the theories of Hélène Cixous’ “écriture féminine" primarily expressed through her essays “The Laugh of the Medusa” and “Sorties.” This paper will additionally present an overview to feminine writing along with a...
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Spring 2012
This thesis examines Anna Deavere Smith's contribution to American theatre with regard to her life and artistic practice. The first chapter examines Smith's development of her theatrical project, On The Road: The Search for American Character with its approach to acting that emphasizes empathetic...
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Fall 2015
This dissertation identifies a strand of contemporary Asian American theatrical works which dramatize what I call “racial cosmopolitanism,” a mode of cosmopolitanism emerging out of the lived experiences of racialized “difference.” Conjoining the historically divergent fields of cosmopolitan...
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2019-06-17
CFI-JELF awarded 2020: The proposed infrastructure request will support work in the use of projected media in live performance. This specific request is to transform the theatre from a primarily text-based aural experience to one that is based in visual language. Our proposal includes five...
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Fall 2013
This paper explores the theatrical staging of genocide using Julia Kristeva’s theory of abjection to highlight the impossibility of understanding and fully comprehending genocide. Traditional staging methods typically use a cohesive narrative structure which limits and edits the event to provide...