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Permanent link (DOI): https://doi.org/10.7939/R35Q4RV2F

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Femmes scandaleuses : le pouvoir transformatif de la transgression chez Virginie Despentes, Nelly Arcan et aurélia aurita Open Access

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Other title
Subject/Keyword
women's writing
scandal
écriture des femmes
public sphere
feminism
literature
media studies
French literature
Écriture québecoise
Littérature française
transgression
cultural studies
féminisme
comics
bande dessinée
scandale
études culturelles
étude des médias
sphère publique
Type of item
Thesis
Degree grantor
University of Alberta
Author or creator
Gheno, Marine
Supervisor and department
Carrière, Marie (English and Film Studies)
Reyns-Chikuma, Chris (Modern Languages and Cultural Studies)
Examining committee member and department
Penrod, Lynn (Modern Languages and Cultural Studies)
Snauwaert, Maïté (Faculté Saint Jean)
Demers, Patricia (English and Film Studies)
Cornelio, Dawn (School of Languages and Literatures, University of Guelph)
Department
Department of Modern Languages and Cultural Studies
Specialization
French Language, Literatures and Linguistics
Date accepted
2016-09-27T11:30:56Z
Graduation date
2016-06:Fall 2016
Degree
Doctor of Philosophy
Degree level
Doctoral
Abstract
This study focuses on scandals in the feminine, or the media turmoil triggered by women’s writing demonstrating an awareness of women’s oppression. Scandalous women subvert norms by addressing sexuality, pleasure, desire as well as racism, hybrid identities, and power and domination relationships engrained in all aspects of daily life. Their speech generates indignation in the public sphere as it brings to the surface taboos and uncomfortable issues. The transgression of scandalous women invokes both the principle of visibility of our current societies and the commitment in the feminine to fight for the inclusion of women in the public sphere. The three authors examined in this dissertation, Virginie Despentes, Nelly Arcan, and aurélia aurita, are scandalous women inasmuch as their works and their public persona have been the subject of polemic, scandal or media buzz. The study of their productions deemed scandalous alongside their reception according to a research framework informed by the structures of the public sphere and artistic fields in the contemporary media era as well as feminist criticism brings to light the norms imposed on women in the public sphere. This study also highlights the commitment in the feminine exemplified by the articulation of a feminine agency and the constitution of a woman subject in these works. The media coverage of scandals widens the public audience of those transgressive works and instigates, potentially, debates about social taboos, and eventually, the transformation of the dominant ideology. Scandalous women in cultural and media representations open up a space for transgressive, excessive, out of place, minority, and disobedient subjects to speak, shake up the status quo, and expand the possible.
Language
French
DOI
doi:10.7939/R35Q4RV2F
Rights
This thesis is made available by the University of Alberta Libraries with permission of the copyright owner solely for the purpose of private, scholarly or scientific research. This thesis, or any portion thereof, may not otherwise be copied or reproduced without the written consent of the copyright owner, except to the extent permitted by Canadian copyright law.
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