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Skip to Search Results- 3Modern Languages and Cultural Studies, Department of
- 3Modern Languages and Cultural Studies, Department of/Journal Articles (Modern Languages and Cultural Studies)
- 2Anthropology, Department of
- 2Anthropology, Department of/Research Materials (Anthropology)
- 1Graduate and Postdoctoral Studies (GPS), Faculty of
- 1Graduate and Postdoctoral Studies (GPS), Faculty of/Theses and Dissertations
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2007-01-01
Paper published in Pacific Arts, vol 3, pp115-127 (2007). Abstract: Commoner women’s textile-work is a key medium in the ongoing process of hybridizing Tongan culture for the contemporary ‘modernity plus tradition’ present. One set of wefts for this paper are ethnographic. Commoner women’s...
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Fall 2012
This dissertation is about the work of melancholy in the Victorian realist novel, particularly those texts written in the late 1840s. The representation of melancholy affords an examination of a wide scope of issues that relate to the family, generally, and to the role of the middle-class women...
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De l’homogénéisation des associations lexicales créatives dickensiennes : le style dickensien mis à l’épreuve en traduction
Download2013
In Oliver Twist, many lexical associations are semantically heterogeneous. This phenomenon is visible at several linguistic levels, especially at the syntagmatic level, with metaphorical associations as well as with transferred collocations, and at the sentence level, with semantic zeugmas. These...
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2011
Etymology and literary exegesis are of a special significance as far as reading and translating Oliver Twist is concerned. In the first place, Dickens makes the most of the ressources of the English language by using, as a stylistic device, the various etymological roots of the vocabulary he has...
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2007-01-01
Young-Leslie, Heather, Addo, Ping-Ann
Introductory essay to special issue of Pacific Arts journal, "Pacific Textiles, Pacific Cultures: Hybridity and Pragmatic Creativity". We introduce the concept of 'pragmatic creativity' as a counter to the discourses that situate handicrafts or bricolage as somehow second rate forms of creative...