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Fall 2013
Canada possesses a culture of many interconnected voices, but this diversity is not represented in the major commercial enterprises of Canadian theatre. This thesis will question the existence of a national Canadian identity and through the framework of rural Canadian theatre posit an alternative...
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Fall 2009
In this dissertation, I read Judith Thompson’s The Crackwalker, I am Yours, Habitat, and Lion in the Streets with an eye towards how Thompson produces socially contingent spaces as sites of marginalized identity. My focus is on Thompson’s work as a playwright rather than on the texts in...