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Space, Identity, and Difference in 4 Plays by Judith Thompson

  • Author / Creator
    Gagnon, Jeffrey
  • In this dissertation, I read Judith Thompson’s The Crackwalker, I am Yours, Habitat, and Lion in the Streets with an eye towards how Thompson produces socially contingent spaces as sites of marginalized identity. My focus is on Thompson’s work as a playwright rather than on the texts in performance. My interest is in the ways Thompson mediates a characterization of class-based marginality through the experience of space as a social product. In interrogating Thompson’s use of space, I refer to the theories of philosopher Henri Lefebvre, specifically to the notion of space as a social product and his conception of the “double illusion.”

  • Subjects / Keywords
  • Graduation date
    2009-11
  • Type of Item
    Thesis
  • Degree
    Master of Arts
  • DOI
    https://doi.org/10.7939/R3N42W
  • License
    This thesis is made available by the University of Alberta Libraries with permission of the copyright owner solely for non-commercial purposes. This thesis, or any portion thereof, may not otherwise be copied or reproduced without the written consent of the copyright owner, except to the extent permitted by Canadian copyright law.
  • Language
    English
  • Institution
    University of Alberta
  • Degree level
    Master's
  • Department
    • Department of Drama
  • Supervisor / co-supervisor and their department(s)
    • Kerr, Rosalind (Drama)
  • Examining committee members and their departments
    • Reed, Daphne (English)
    • Defraeye, Piet (Drama)