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Fall 2013
My purpose in this research was to examine women contemporary dancers’ positive experiences. While previous research in women’s dance experiences exit, it tends to focus on the negative outcomes of dance participation. Using a phenomenologically inspired approach I sought to answer the following...
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A Horse Named Shabrang: Synthesizing Theory and Practice to Develop a Methodology for a Ritualistic Performance
Download2024-01-01
A Horse Named Shabrang was my project-based final thesis for the MFA in Theatre Practice (see: https://ualberta.aviaryplatform.com/r/599z030m4d). Staged in the style of a live dance-theatre, this project synthesized theory and practice to develop a methodology for creating ritualistic...
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2019-01-01
Vadim Bulitko, Sean Caulfield, Astrid Ensslin, Daniel Evans, Gillian Harvey, Scott Smallwood, Daniel Laforest, Brad Necyk, Marilène Oliver, Aidan Rowe, Isabelle Van Grimde, Jonathan Garfinkel, Tess Heinricks, Marilene Oliver, Blaine Campbell
DYSCORPIA: Future Intersections of the Body and Technology was a two-year interdisciplinary research project that brought together scholars from art and design, music, digital and medical humanities, radiology, computer science and contemporary dance in order to question what it means not to know...