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Skip to Search Results- 1Bailer, Ashley D
- 1Battye, John H
- 1Gagnon, Jeffrey
- 1Ing, Cynthia P.
- 1Kulkarni, Rohan
- 1Moelker, Justine T
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“Putting Fear and Prejudice on Trial”: New Narratives for Queer Documentary Theatre in Dustin Lance Black’s 8
DownloadFall 2014
This thesis explores contemporary documentary theatre within the context of queer studies. While there are many plays that fall into the category of queer documentary theatre including The Laramie Project, Another American, and Execution of Justice, this research examines Dustin Lance Black’s new...
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A Rhizomatic Analysis of Stage Management in Modern Alberta Theatre Practice: Keeping the Breath Alive
DownloadFall 2019
This is a study of the role of technology in the stage management profession, with a specific focus on professional and social practices, in Alberta theatres. Through the interviews I conducted with five professional stage managers in the summer and fall of 2018, I investigate how stage managers...
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Acadiens, Cadjins, and Cadiens: Exploring How Cajun Identity Is Depicted and Negotiated in Une fantaisie collective
DownloadFall 2015
This thesis investigates how Cajun identity, linguistic, cultural, ethnic, or otherwise, is depicted in the collection of theatrical pieces by Le Théâtre Cadien: Une fantaisie collective: Anthologie du drame louisianais cadien. It examines portrayals of Cajuns by analyzing variations in spelling...
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Interrogating interculturalism: confronting the provocative theatricality of Ariane Mnouchkine and Shūji Terayama
DownloadFall 2010
Intercultural theatre is a highly contested form of theatre. Critical discussions over its position as a revitalizing force or a colonial instrument have raged on for almost thirty years. An investigation into two theatre directors who have often been in the spotlight concerning these critical...
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Fall 2016
Canadian theatre has always been an exercise in inter-cultural negotiation, yet in the past few decades, the official multicultural legislation has provided opportunities for more artists belonging to ethnic minorities to consciously diversify our country’s theatre practice. Montreal based...
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Spring 2012
Traditional analyses of Anabaptist action continue to be problematized by substantial theological, social, economic, ethical, and political disparities defining the early decades of sixteenth-century Anabaptist movements. This dissertation is offered as a “reconciliation,” as an attempt to...
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Fall 2015
This dissertation identifies a strand of contemporary Asian American theatrical works which dramatize what I call “racial cosmopolitanism,” a mode of cosmopolitanism emerging out of the lived experiences of racialized “difference.” Conjoining the historically divergent fields of cosmopolitan...
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Fall 2013
This paper explores the theatrical staging of genocide using Julia Kristeva’s theory of abjection to highlight the impossibility of understanding and fully comprehending genocide. Traditional staging methods typically use a cohesive narrative structure which limits and edits the event to provide...
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Fall 2013
Canada possesses a culture of many interconnected voices, but this diversity is not represented in the major commercial enterprises of Canadian theatre. This thesis will question the existence of a national Canadian identity and through the framework of rural Canadian theatre posit an alternative...
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Fall 2009
In this dissertation, I read Judith Thompson’s The Crackwalker, I am Yours, Habitat, and Lion in the Streets with an eye towards how Thompson produces socially contingent spaces as sites of marginalized identity. My focus is on Thompson’s work as a playwright rather than on the texts in...