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Representing Pakistan through Folk Music and Dance

  • Author / Creator
    Hemani, Shumaila
  • Folk music is a site of contestation to define national culture and language amongst the cultural elites in Pakistan. The elites who established cultural institutions for the promotion of folk music represented Pakistan either as a cultural unit with Islam and the Urdu language as its unifying bond, or resisted this position by considering Pakistan as a culturally diverse unit, in which national culture could emerge only through a synthesis of regional cultures and not through the imposition of a single culture and language. I apply Pierre Bourdieu’s theory of practice to situate my informants within the policies of three institutions: national media, Pakistan National Council of Arts (PNCA) and Lok Virsa, in the period between 1965 and 1985. This period covers three major political regimes, when my informants participated in establishing and maintain cultural institutions that were revived after 9/11 to showcase Pakistan in the international community.

  • Subjects / Keywords
  • Graduation date
    2011-11
  • Type of Item
    Thesis
  • Degree
    Master of Arts
  • DOI
    https://doi.org/10.7939/R34037
  • License
    This thesis is made available by the University of Alberta Libraries with permission of the copyright owner solely for non-commercial purposes. This thesis, or any portion thereof, may not otherwise be copied or reproduced without the written consent of the copyright owner, except to the extent permitted by Canadian copyright law.
  • Language
    English
  • Institution
    University of Alberta
  • Degree level
    Master's
  • Department
    • Department of Music
  • Supervisor / co-supervisor and their department(s)
    • Regula Burckhardt Qureshi,
    • Federico Spinetti
  • Examining committee members and their departments
    • Mary Ingram
    • Andriy NAHACHEWSKY