Research Publications (Campus Saint-Jean)
Items in this Collection
- 7Levasseur-Ouimet, France
- 4Wilson, Sheena
- 3Villeneuve, Anne-Jose
- 2Auger, Julie
- 2Tarif, J.
- 1 Safouhi, Hassan
- 2Culture
- 2Language variation
- 1Alberta
- 1Alberta -- Histoire
- 1Association canadienne-française de l'Alberta -- Histoire
- 1CHFA (Station de radio : Edmonton, Alb.) -- Histoire
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Computation of tail probability distributions via extrapolation methods and connection with rational and Padé approximants.
Download2012
Safouhi, Hassan, Gaudreau, Philippe J. , Slevinsky, Richard M.
Abstract. We use the recently developed algorithm for the G(1) n transformation to approximate tail probabilities of the normal distribution, the gamma distribution, the student’s t-distribution, the inverse Gaussian distribution, and Fisher’s F distribution. Using this algorithm, which can be...
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2015-04-15
MIDI ONODERA IS A WELL-RECOGNIZED Canadian filmmaker with more than thirty years of filmmaking experience. She has had screenings internationally at such prestigious venues as the Andy Warhol Museum, the International Festival of Documentary and Short Films, Bilbao, Spain, the Rotterdam...
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Étude comparative des particules interrogatives en picard et dans deux variétés de français parlées au Canada [TRADUCTIONS EXEMPLES PICARDS]
Download2021-09-08
Auger, Julie, Villeneuve, Anne-Jose
French translations for examples in Picard, from "Étude comparative des particules interrogatives en picard et dans deux variétés de français parlées au Canada", published in "Langue française" (2021, issue 4). ARTICE URL:...
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2015
This article adopts a contrastive approach and focuses on sexist practices in language – in French and in English – affecting women. It investigates the extent to which these practices are embedded in both languages, along with the recommendations the communities speaking those languages make to...
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2015-04-15
Wilson, Sheena, Anselmi, William
Christopher Nolan’s Inception is first and foremost a film that unveils for the viewer the process of creating cinema as art. Insofar as technological developments have accentuated the phantasmagorical in cinema, as illustrated by the use of digital manipulation in Avatar, Inception, by contrast,...