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Skip to Search Results- 14Frishkopf, Michael (Music)
- 2Qureshi, Regula (Music)
- 1Fauteux, Brian (Music)
- 1Hill, Joseph (Anthropology)
- 1Hindle, Abram (Computing Science)
- 1Shultz, Lynette (Educational Policy Studies)
- 2El Kadi, Rana
- 1Danser, Kathleen A.
- 1Doleac, Benjamin G
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Fall 2018
Black musicians in string-bands in the American South during the period 1920–1950 were remarkably resilient to social, political, and cultural forces while also actively creating cultural products. The breadth of their musical activities and networks of interconnectivity expands our knowledge and...
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The free improvised music scene in Beirut: Negotiating identities and stimulating social transformation in an era of political conflict
DownloadSpring 2010
Although free improvised music (FIM) originated in Europe and the United States in the 1960s, it has come to possess meanings and roles unique to its individual contexts of production in today’s transnational scene. By focusing on the Lebanese free improvised music scene which emerged in Beirut...
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The Revival of Iranian Classical Music during the Second Pahlavi Period: The Influence of the Politics of “Iranian-ness”
DownloadFall 2015
This thesis demonstrates the process of the gradual formation and development of revivalist ideas in Iran’s musical society during Muhammad-Reza Pahlavi’s reign (1941 - 1979). Examining multiple articulations of Iranian nationalism, this research focuses on three different historical periods—from...
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Spring 2011
This action research project seeks to explore the question, “how can the community dances of Alberta’s past become a context for learning in the Alberta grade four music program?” This question gives the researcher an opportunity to explore several things, one of which is David Elliott’s idea of...