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2014-01-01

Couture, Selena

əy2 – asserts a limited form of ‘visual sovereignty’. Michelle Raheja has described this practice in indigenous filmmaking as one that addresses settler populations by using stereotypical self-representations while it connects to aesthetic practices that strengthen treaty claims and more traditional

conventions. Expanding on Raheja’s analysis of visual sovereignty in indigenous filmmaking to consider the performative aspects of a live event, I demonstrate here the significance of the embodied experience of both performers and audience at Klahowya Village layered over the archival architecture of this

2022-04-01

Rob Shields

theories. Case studies are brieflly reviewed for teaching purposes: Minneapollis-St. Paul suburbia, Indigenous Veterans housing, Winnipeg Metis settlements, the Oka Crisis, Caledonia Ontario land dispute and the Papaschase claim on suburban Edmonton.

2016-08-05

Beard, Laura J.

What does it mean to do autobiographical studies within the realm of Inter-American studies? What does it mean to study the story of a self within the context of such a huge terrain—geographic, cultural, linguistic, ethnic? In this chapter I look briefly at two Indigenous bilingual texts from

Allen xi). The texts chosen are bilingual texts, life narratives of Cree women, printed in Cree and English. I argue that a recognition of literary and rhetorical sovereignty means that we do not impose critical terms from other cultural traditions in our readings of Indigenous texts. ¿Qué significa

2017-01-01

Couture, Selena, Dick, Alexander

literature, theatre history, post-colonialism, and Indigenous studies.

2019-01-15

Lupke, Christopher

One of the conundrums of modern Chinese literary studies is how to navigate the tortuous road between the particular cultural heritage from which it arises, the global phenomena of such trends as modernism, and the individual creative voice. Some adopt the strategy that indigenous cultures and