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Skip to Search Results- 1Davis, Laura Katherine Strong
- 1Fink, Niall A
- 1Garrett, Brenda L.
- 1Kootnikoff, David J.
- 1Lael Netzer, Orly
- 1Meloche, Katherine
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Spring 2021
“Beyond Empathy: Reading, Bearing Witness, and Testimony” is focused on the audiences of testimony, exploring the relational and ethical imperatives encompassed in audiences’ engagement with creative forms of testimonial accounts. Deeply rooted in colonial trajectories and grounded in...
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Fall 2018
This thesis examines representations of debt and obligation in works of Caribbean Canadian literature published between 1997 and 2007. It uses these representations to discuss the relationship between postcolonial, global, and diasporic approaches to cultural studies. These disciplinary...
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Spring 2022
In this dissertation, I identify an aesthetic tradition in settler literary texts that parallels the settler state’s political response to such policies as multiculturalism and Reconciliation. I argue that modern Canadian fiction in English continues the tradition of romantic art in Hegel’s...
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Fall 2017
In North America, opera constitutes both an art form and an industry. Because companies rely on philanthropy and ticket revenues, they respond to a mass audience among the public at large, and yet granting agencies’ and critics’ influence suggests restricted circulation and in some ways a “high”...
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From Transience to Trenches: Masculinity and Radical Politics in Canadian Fiction of the Great Depression
DownloadFall 2015
This thesis looks at gender practices in Canadian radical political movements through the novels of the Great Depression. In the first chapter, I examine hegemonic masculinity, as defined by R.W. Connell and James W. Messerschmidt, in Irene Baird’s unemployment novel Waste Heritage. The...
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Fall 2014
Going Local in the Global: A Canadian Literary Bioregional Turn confronts assumptions that bioregionalism with its restricted focus on the local limits apprehension of global environmental issues. Some proponents of cosmopolitanism argue that bioregionalism and its precursor regionalism do not...
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Mediating Law: Cultural Production and the Revitalization of Indigenous Legal Orders in Canada
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This dissertation examines contemporary Indigenous cultural production as it mediates conversations within Indigenous and settler legal discourses concerning continuance and change in the late 20th and early 21st centuries in Canada. It argues that attention to Indigenous cultural production is...
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Texts like the world: the use of utopian discourse to represent place in works by Nicole Brossard and Dionne Brand
DownloadSpring 2011
“Texts like the World” examines Nicole Brossard’s Picture Theory and Mauve Desert and Dionne Brand’s No Language is Neutral and A Map to the Door of No Return in order to demonstrate how these authors figure place in ways that are representative of utopian discourse. To do so, I draw primarily on...
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Fall 2015
Three Black Crows is an original work of fiction exploring colonial violence and resistance through the archetypal narrative of the hunt and the relationship between big game hunter and native guide. The novel is based in a tradition of Canadian prairie fiction and conventions of the Western...
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Where Water Hits Home: Colonial Technologies of Violence on IBPOC Peoples and Nonhuman Nature in Canada
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This research-creation questions and resists colonial technologies such as industrialization and urbanization that exploit environments and IBPOC peoples–Indigenous, Black, and People of Colour–as resources for colonial "progress." The research examines how nature and human relations intersect...