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30 immolated ; 16 returned for extreme metal band, soprano, live electronics, and theatrical component, with accompanying document
DownloadFall 2017
My thesis work, 30 immolated ; 16 returned, reflects the systematic transgression of sexual taboos found in the Marquis de Sade’s 120 Days of Sodom through a 30 minute sonic and dramatic work, comprised of extreme metal, harsh noise, and avant-garde composition, live electronics, and an...
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