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Results for "departments_tesim:"Department of Music""
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Fall 2022
These notes are part of the final project for the Doctor of Music in Piano Performance degree, which included a CD of self-edited recordings and a recital performance. The recital programme comprised the Keyboard Sonata in C major (Hob.XVI:48) by Joseph Haydn, Gaspard de la nuit by Maurice Ravel,...
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an interlude between two nothings: A Musical Composition for Flute, Clarinet, Violin, Cello, Piano, Augmented Electric Guitar, and Fixed Electronics, with Accompanying Document
DownloadFall 2015
"an interlude between two nothings" is a musical work approximately thirty-five minutes in length. It is scored for flute, clarinet, violin, cello, piano, fixed electronics, and an augmented electric guitar. The work is divided into six movements, which alternate between two contrasting streams....
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Fall 2015
This thesis for the Doctor of Music degree consists of an audio recording, a public recital, a scholarly essay and program notes to compliment the recorded and live performance, and are available at https://doi.org/10.7939/r3-vkd1-tz03. The recording and concert consist of the following...
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Voice of the Immigrant Bard: Social Commentary in Scottish Bardic Compositions in Nineteenth Century Nova Scotia
DownloadFall 2018
The poetry of the Scottish emigrant bards in the nineteenth century provides integral insight into the experience of the immigrant Scots in Nova Scotia. This thesis explores the role of the Scottish emigrant bards as social commentators; that is, how the narrative and bardic elements present...
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Spring 2013
Vic Nees (b. 1936) is a prolific Belgian composer of primarily choral music who has had a profound influence on the culture of choral music in Belgium, Europe, and increasingly around the world. Through his long association with the Flemish Radio Choir, both as conductor and producer, he was...
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Spring 2013
Zimbabwean traditional music of North America has gone through notable transformation since its arrival over 40 years ago. The world has been dominated by a patriarchal view of itself in general, but as I observed and mingled with people, I witnessed a male- dominated music practice in Zimbabwe...
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Spring 2019
The purpose of Tran(ce)sients is to find ways to engage an audience in concentrated listening during a concert hall performance of challenging chamber music. For some time now, a point of great interest to me has been what could or will hold one’s attention during a performance, particularly one...