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- 1Bardic Tradition
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Pierre Mercure and the Contemporary: Reflections of Influence and Ideology in "Tétrachromie" (1963)
DownloadSpring 2015
This thesis surveys, through his use of integrated serialism in Tétrachromie (1963), Pierre Mercure’s interest in contemporary compositional ideologies as influenced by prominent composers with whom he came into contact through the 1950s and early 1960s. Although largely not recognised as a...
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Political Implications of Affective Response to Rhetoric in Oswald’s Spectre and Hatzis’s The Awakening
DownloadFall 2013
What does it mean to be emotionally affected by music? This study considers the experience of listening to music for political implications of affect in light of John Protevi’s concept of political affect and Eric Clarke’s concept of musical affordances. In considering this, I discuss John...
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The Music-World Relationship in Late Eighteenth- and Early Nineteenth-Century European Thought: Musical Modernity as Musical Subjectification
DownloadFall 2021
In this dissertation, I explore manifestations of musical subjectification in European musical thought in the decades leading up to and following 1800 by examining the shifts in the music-world relationship. Highlighting particular historical moments in the development of music and its Otherness,...
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Voice of the Immigrant Bard: Social Commentary in Scottish Bardic Compositions in Nineteenth Century Nova Scotia
DownloadFall 2018
The poetry of the Scottish emigrant bards in the nineteenth century provides integral insight into the experience of the immigrant Scots in Nova Scotia. This thesis explores the role of the Scottish emigrant bards as social commentators; that is, how the narrative and bardic elements present...