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Skip to Search Results- 1Barndt, Jillian R
- 1Barnett, Tara, Marlene.
- 1Cai, Zheng, 1965-
- 1Callaghan, Sean Koji
- 1Campbell, Mhairi Kathleen.
- 1Carter, Barbara
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Spring 2017
This thesis considers translation practices, debates on language reform, and lexicography of the Meiji period (1868-1912). During this critical time in Japan’s modern history, Japan dealt with an enormous influx of Western culture and technology. Japanese scholars and intellectuals read and...
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Fall 2018
An increasing number of studies of language and interaction have reported that causal conjunctions can be used to mark something other than causal connection in conversation (Bolden 2009; Walker, 2012). Suoyi ‘so’ is a causal conjunction indicating results and conclusions in Mandarin. Previous...
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Fall 2019
This study examines the use of imperative turns in naturalistic Mandarin interaction. Imperatives in Mandarin are defined as sentences expressing a command (e.g., Chao 1968; Li & Thompson 1981; Sun 2006). Previous research has described that imperatives can be used as requests, demands,...
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Inner World of Drifting Chinese People: Narrative Functions of Motifs in Peter Ho-sun Chan’s Love Trilogy
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This thesis focuses on the narrative functions of motifs in Peter Ho-sun Chan’s love trilogy films on drifting Chinese people since the 1980s. The examination of object/setting motifs in Chapter One contributes to the understanding of character-traits. Chapter Two especially discusses the use of...
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Fall 2020
Japanese kedo has traditionally been described and taught using two clauses where the kedo clause forms a contrastive relationship with the following main clause (Geyer 2007a; Geyer 2007b, Hatasa et al 2010; Iwasaki 2013). However, studies have shown that kedo also appears in other grammatical...
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Fall 2020
This project examines the concept of “interiority”, the thoughts and feelings of other individuals, as a kind of literary device in the works of Qiu Miaojin and Wu Ming-yi. Rather than reinforce binaristic thinking, this considers interiority as a tension between public and private, between self...
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From Youth to Midlife: The Historical Trajectory of Individual Life in Three Films Adapted from Wang Shuo’s Novels
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This thesis takes three films, Kanshangqu henmei 看上去很美 (Little Red Flowers, d. Zhang Yuan, 2006), Yangguang canlan de rizi 阳光灿烂的日子 (In the Heat of the Sun, d. Jiang Wen, 1994), and Yuanjia fuzi 冤家父子 (Papa, d. Wang Shuo, 1991), all adapted from Wang Shuo’s works of fiction, as cases in which to...
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From Silence to Heteroglossia: The Development of Feminine Self in Li Ang’s Fiction (1983-2005)
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This thesis examines the development of feminine self in Li Ang’s fiction during different stages of her writing. Beginning in the 1980s, the rise of Taiwanese women writers has been one of the most significant phenomena in the history of Taiwanese literature, fundamentally challenging what has...