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2021-08-27
My travel is an existential mirror, reflecting back to me fragments of my identity. The purpose of this autoethnographic study is to explore how cultural issues play a part in my experiences as a traveller, and in turn how I use my experiences as a traveller to form my personal identity. In this...
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09/28/2021
SSHRC IG awarded 2022: "Who owns the prairies?" will uncover and analyze who has owned the farmlands of the prairies of Manitoba, Saskatchewan, and Alberta from the 1870s treaties to today. It will dissect the objectives, attitudes, politics, and logics of the laws and policies that shaped land...
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Fall 2014
Today it is relatively unquestioned that Sulpicia, the elegiac woman of [Tib.] 3.8-18, was a historical woman of the same name who lived and wrote Latin elegies in Augustan Rome, and that the poems attributed to her are autobiographical records of love, thereby making Sulpicia a Roman version of...
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Wildfire effects on net precipitation, streamflow regime and rainfall-runoff events in northern Rocky Mountain watersheds
DownloadFall 2022
In recent decades, severe wildfire in western North America has increased in frequency as a result of a warming climate and historical fire suppression, impacting an increasing amount of forested area. Reduced forest canopy interception and storage combined with soil water repellency and altered...
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Women are Discriminated Against within Politics in Indigenous Communities Because of their Gender
DownloadFall 2017
The purpose of this study was to prove that women are discriminated against within politics in Indigenous Communities because of their gender. It will demonstrate how the Cree people historically were once an egalitarian society. Even though women were not often seen in leadership roles, such as...
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Fall 2013
The “Code for Officials of the Rear Palace” (Kōkyū shiki-in ryō) in the Yōrō Law Codes lists twelve bureaucratic offices held by women in the imperial court. The most prominent of these offices, naishi no kami (Director of the Palace Retainer’s Office) was held exclusively by women of the...
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Women’s Auto/Biographical Theatre: Affirmation, Preservation and Intercultural Communication
Download2009-01-01
The article considers the women's autobiographical theatre as a medium in bridging cultural divides. Canadian auto/biographical works of Marie Clements and Lesley Ewen serve as epitomes intended to assert and perpetuate the truths of women of colour in Canada. Their works, while bringing a...