Search
Skip to Search Results
Filter
Author / Creator / Contributor
Year
Collections
Languages
Item type
Departments
Supervisors
-
Fall 2016
The following is an analysis of Emmanuelle Marie’s 2003 play CUT as it intersects the theories of Hélène Cixous’ “écriture féminine" primarily expressed through her essays “The Laugh of the Medusa” and “Sorties.” This paper will additionally present an overview to feminine writing along with a...
1 - 1 of 1