This decommissioned ERA site remains active temporarily to support our final migration steps to https://ualberta.scholaris.ca, ERA's new home. All new collections and items, including Spring 2025 theses, are at that site. For assistance, please contact erahelp@ualberta.ca.
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Skip to Search Results- 2El Kadi, Rana
- 2Gillani, Karim Nooruddin
- 1Abedinifard, Morteza
- 1Adamek, Magdalena
- 1Admiral, Roger James
- 1Ahmadian, Nasim
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Fall 2013
This thesis examines the implications of musical genre for American songwriter Tom Waits’ 1985 studio album Rain Dogs. A discussion of recording artists and composers of the twentieth century that influenced Waits at this time serves to identify the multiple styles within which he writes and...
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Spring 2019
The purpose of Tran(ce)sients is to find ways to engage an audience in concentrated listening during a concert hall performance of challenging chamber music. For some time now, a point of great interest to me has been what could or will hold one’s attention during a performance, particularly one...
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Transcultural Singing Between Continents: A Multimodal Reflection of Hybridity in the Ukrainian-Canadian Vernacular Song Repertoire
DownloadSpring 2024
This study investigates the degree of multimodal hybridity observed in the collection of Ukrainian-Canadian vernacular songs. It is grounded in the compilation of songs assembled by Robert Klymasz during his field research in the 1960s, conducted among Ukrainian immigrants residing on the...
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Spring 2013
Zimbabwean traditional music of North America has gone through notable transformation since its arrival over 40 years ago. The world has been dominated by a patriarchal view of itself in general, but as I observed and mingled with people, I witnessed a male- dominated music practice in Zimbabwe...