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Skip to Search Results- 1Beauchesne, Nicholas L.
- 1Chakraborty, Paulomi
- 1Chan, Mary M
- 1Christensen, Samantha M
- 1Cotton Cornwall, Olivia
- 1Fieldberg, Allison L
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Spring 2010
In this dissertation I analyze the figure of the East-Bengali refugee woman in Indian literature on the Partition of Bengal of 1947. I read the figure as one who makes visible, and thus opens up for critique, the conditions that constitute the category ‘women’ in the discursive terrain of...
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Telling stories about storytelling: the metacomics of Alan Moore, Neil Gaiman, and Warren Ellis
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The Revisionist comics of the 1980s to present represent an effort to literally revise the existing conventions of mainstream comics. The most prominent and common device employed by the Revisionists was self-reflexivity; thus, they created metacomics. The Revisionists make a spectacle of...
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Spring 2011
Grounded in the methodologies of New Historicism, New Criticism, Subaltern Studies, and Colonial Discourse Analysis, this dissertation explores Englishwomen’s fictions of the nautch girl (or Indian dancing girl) at the turn of the century. Writing between 1880 to 1920, and within the context of...
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“What drives your own desiring machines?” Early twenty-first century corporatism in Deleuze-Guattarian theory, corporate practice, contemporary literature, and locavore alternatives
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This dissertation identifies and investigates the characteristics of the early 21st-century social, economic, and political situation as intrinsically connected and grouped under the concept of corporatism. Starting from Gilles Deleuze and Félix Guattari’s schizoanalysis of capitalism, this...
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Fall 2012
This dissertation is about the work of melancholy in the Victorian realist novel, particularly those texts written in the late 1840s. The representation of melancholy affords an examination of a wide scope of issues that relate to the family, generally, and to the role of the middle-class women...
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The Architectural Subject: Space, Character, and Gender in Four Eighteenth-Century Domestic Novels
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This dissertation examines the impact of space, specifically domestic architecture, on the representation of female subjectivity in four eighteenth-century British domestic novels, Samuel Richardson’s Clarissa (1747–48), Frances Burney’s Cecilia (1782), Maria Edgeworth’s Belinda (1801), and Jane...
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Queer TransCanadian Women's Writing in the 21st Century: Assembling a New Cross-Border Ethic
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This dissertation proposes an alternative theorization of borders through the lenses of contemporary queer transCanadian women's writing. Focusing on the first decade of the 21st century, this study examines how the work of Dionne Brand, Emma Donoghue and Hiromi Goto, primarily, dismantles and...
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"It was delightful to be so hungry": Food, Class, and Gender in Nineteenth-Century Children's Literature
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This thesis explores the social, political, and spatial extensions of food and eating in nineteenth-century young women’s coming-of-age texts in America. It focuses on novels and short-stories from women authors such as Louisa May Alcott, Susan Coolidge, Eleanor H. Porter, and Sarah Jewett in...
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The Empowered Woman and Encounters with Breast Cancer, the Year’s Chick Disease: Sick Lit and the Work of Memoir in the Postfeminist Decade
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This dissertation examines a postfeminist subgenre of women’s autobiography referred to as “sick lit.” The primary texts, all published between 2004 and 2009 are: Cancer Vixen by Marisa Acocella Marchetto, Breastless in the City: A Young Woman’s Story of Love, Loss, and Breast Cancer by Cathy...
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Spring 2015
My dissertation brings theorists of queer childhood (Bruhm and Hurley 2004; Edelman 2004; Stockton 2009) into conversation with contemporary North American queer young adult fiction (queer YA), a genre that I suggest has come to bear a heavy pedagogical burden in the wake of recent intense media...