Search

Skip to Search Results
  • 2004

    Hokowhitu, Brendan

    The primary aim of this paper, then, is to deconstruct one of the dominant discourses surrounding Māori men—a discourse that was constructed to limit, homogenize, and reproduce an acceptable and imagined Māori masculinity, and that has also gained hegemonic consent from many tāne. I outline and...

  • 2012

    Hokowhitu, Brendan

    I didn’t really understand why at the time of watching Boy I had feelings of dissociation with Taika Waititi, but I have come to comprehend this reaction more fully as I have read the articles of this special issue and thought about it less intuitively. “Alamein’s Encore”, the ...

  • 2007

    Hokowhitu, Brendan

    For those with neither pen nor sword, the movie camera has proven a mighty instrument. For centuries, colonized aboriginal people depended upon oral tradition to preserve their language and creation stories - the pith and marrow of every culture - but with the advent of the 20th century and...

  • 2007

    Hokowhitu, Brendan

    “Subjectivity” and “voice” are inextricably tied. Indeed, as many of the contributors to this issue of Junctures: The Journal for Thematic Dialogue argue, voice is the expression of the subject. The modern Western conceptualisations of one’s voice, one’s voting rights, one’s right to communicate,...

11 - 14 of 14