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English Metaphysical and Mid-Late Tang Poetry: A Baroque Comparison

  • Author / Creator
    Wang, Pengfei
  • As the title indicates, the thesis is a comparative analysis of the Metaphysical poets and Mid-late Tang poets, under the general style of the Baroque. The scholarship on this topic is very minimal because only recently with the study of James Liu on Li Shangyin and the Baroque we have learned to think of Tang poets as Baroque poets. The same goes for the Metaphysical poets who were so-called by Dr. Johnson but who can also be grouped under the Baroque, because they are seventeenth century poets. My definition of Baroque, however, does not conform to that of James Liu who uses the term historically, and by comparing “baroque” terms that metaphysical poets have in common with Tang poets. My concept of baroque is based on Nietzsche’s definition of “baroque” as a poetic ”style” that can be found in any period, and in any place and any country: in the West as well as in the East, in England and in China. Nietzsche’s definition of baroque is associated with a notion of art as allegory which is in opposition to traditional poetic forms that that are defined as symbolic. According to Nietzsche, we have allegorical, or Baroque poetry, when traditional, symbolic forms are disrupted or are in decline. An analysis of Baroque poetry, therefore, cannot be based on a symbolic approach but on an allegorical reading that is attentive at the ways in which the poetry is displaced from traditional forms. The three metaphysical poets I have chosen are John Donne, Andrew Marvell and John Crashaw and for each poet I discuss three of their poems. For the Mid-late Tang poets I have chosen three poems of Meng Jiao, Li He and Li Shangyin. The thesis is divided in an Introduction, a first chapter on Metaphysical poets, a second chapter on Mid-late Tang poets, the third chapter is on a comparative analysis of Metaphysical and Mid-late Tang conceits. A brief conclusion and a Bibliography conclude the thesis.

  • Subjects / Keywords
  • Graduation date
    Fall 2018
  • Type of Item
    Thesis
  • Degree
    Doctor of Philosophy
  • DOI
    https://doi.org/10.7939/R3F766P7D
  • License
    Permission is hereby granted to the University of Alberta Libraries to reproduce single copies of this thesis and to lend or sell such copies for private, scholarly or scientific research purposes only. Where the thesis is converted to, or otherwise made available in digital form, the University of Alberta will advise potential users of the thesis of these terms. The author reserves all other publication and other rights in association with the copyright in the thesis and, except as herein before provided, neither the thesis nor any substantial portion thereof may be printed or otherwise reproduced in any material form whatsoever without the author's prior written permission.