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Seeing and Transcending Tradition in Chen Shuren’s Guilin Landscape Album
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- Author / Creator
- Wang, Meining
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In 1931, the Chinese Lingnan school painter and modern Chinese politician Chen Shuren 陈树人 (1884-1948) went on a political retreat trip to Guilin, Guangxi China. During his trip in Guilin, Chen Shuren did a series of paintings and sketches based on the real scenic site of Guilin. In 1932, Chen’s paintings on Guilin were published into a painting album named Guilin shanshui xieshengji 桂林山水写生集 (The Charms of Kwei-Lin) by the Shanghai Heping Publishing House. By discussing how Chen Shuren’s album related with the past Chinese painting and cultural tradition in the modern context, I interpret it as a phenomenon that unified various Chinese painting concepts in modern Chinese history. I argue that by connecting the landscape of Guilin with a past Chinese cultural tradition and foreshowing a modern aesthetic taste, Chen Shuren merged Guilin into the 20th century Chinese cultural landscape.
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- Subjects / Keywords
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- Graduation date
- Fall 2019
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- Type of Item
- Thesis
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- Degree
- Master of Arts
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- License
- Permission is hereby granted to the University of Alberta Libraries to reproduce single copies of this thesis and to lend or sell such copies for private, scholarly or scientific research purposes only. Where the thesis is converted to, or otherwise made available in digital form, the University of Alberta will advise potential users of the thesis of these terms. The author reserves all other publication and other rights in association with the copyright in the thesis and, except as herein before provided, neither the thesis nor any substantial portion thereof may be printed or otherwise reproduced in any material form whatsoever without the author's prior written permission.