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Implications of Performance, Site, and Dialogue in Abdulnasser Gharem’s Social Practice Artworks

  • Author / Creator
    Hilden, Tracey M
  • In this thesis, I explore the artworks of Abdulnasser Gharem and situate them within the genre of social practice. I isolate three features to examine in conjunction with Gharem’s works. My first chapter draws on performance scholar Shannon Jackson’s theories to address the roles of support and spectacle in creating social artworks. Secondly, I address concepts of site-specificity as put forth by academic Miwon Kwon to examine the importance and multiplicity of site. Finally, my last chapter looks at dialogic art as explicated by professor and researcher Grant Kester to unfold the role of dialogue in socially engaged artworks. These three components of performance, site-specificity, and dialogue contribute to enhancing community life which Gharem strives to undertake through his artworks.

  • Subjects / Keywords
  • Graduation date
    2014-06
  • Type of Item
    Thesis
  • Degree
    Master of Arts
  • DOI
    https://doi.org/10.7939/R3RD63
  • License
    This thesis is made available by the University of Alberta Libraries with permission of the copyright owner solely for non-commercial purposes. This thesis, or any portion thereof, may not otherwise be copied or reproduced without the written consent of the copyright owner, except to the extent permitted by Canadian copyright law.
  • Language
    English
  • Institution
    University of Alberta
  • Degree level
    Master's
  • Department
    • Department of Art and Design
  • Specialization
    • History of Art, Design, and Visual Culture
  • Supervisor / co-supervisor and their department(s)
    • Boone, Betsy (Art and Design)
    • Loveless, Natalie (Art and Design)
    • Defraeye, Piet (Drama)
  • Examining committee members and their departments
    • Loveless, Natalie (Art and Design)
    • Boone, Betsy (Art and Design)
    • Defraeye, Piet (Drama)
    • Greer, Joan (Art and Design)