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Picturing the Asian Diaspora in North America: A Study of Liu Hung, Jin-me Yoon and Nikki S. Lee Open Access

Descriptions

Other title
Subject/Keyword
Asian American, Asian Canadian, contemporary art, migration, globalization, diaspora
Type of item
Thesis
Degree grantor
University of Alberta
Author or creator
Zheng, Jingjing
Supervisor and department
Anne Whitelaw (Art and Design)
Examining committee member and department
Walter Davis (Art and Design)
Teresa Zackodnik (English and Film Studies)
Department
Department of Art and Design
Specialization

Date accepted
2010-04-15T21:55:33Z
Graduation date
2010-06
Degree
Master of Arts
Degree level
Master's
Abstract
This thesis explores the changing identity of Asian North American women in the past thirty years through the analysis of the work of three Asian North American female artists, Liu Hung (b.1948), Jin-me Yoon (b.1960), and Nikki S. Lee (b.1970). It argues that Asian North American female identity has evolved in three stages: firstly, it shows a close connection with a diasporic “imagined community” bound by one’s cultural origin; secondly, it is rooted in a settled diasporic community, meanwhile remains tied to the original homeland as an imaginary political space for unification; lastly, the new transnational Asian female identity rejects classification based on race and gender and embraces an identity rooted in globalization.
Language
English
Rights
License granted by Jingjing Zheng (jingjing.zheng@ualberta.ca) on 2010-04-15T19:09:46Z (GMT): Permission is hereby granted to the University of Alberta Libraries to reproduce single copies of this thesis and to lend or sell such copies for private, scholarly or scientific research purposes only. Where the thesis is converted to, or otherwise made available in digital form, the University of Alberta will advise potential users of the thesis of the above terms. The author reserves all other publication and other rights in association with the copyright in the thesis, and except as herein provided, neither the thesis nor any substantial portion thereof may be printed or otherwise reproduced in any material form whatsoever without the author's prior written permission.
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