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The Post-Industrial Imagination: A Media-Philosophical Inquiry into a Post-Capitalist Future Open Access

Descriptions

Other title
Subject/Keyword
Hardt and Negri
Political Philosophy
Post-Industrialism
Type of item
Thesis
Degree grantor
University of Alberta
Author or creator
MacLellan, Matthew Scott
Supervisor and department
Szeman, Imre (English and Film Studies)
Examining committee member and department
Pavlich, George (Sociology)
Best, Beverly (Sociology)
Ball, Karyn (English and Film Studies)
Moukerjee, Sourayan (Sociology)
Department
Department of English and Film Studies
Specialization
English
Date accepted
2013-12-16T11:17:28Z
Graduation date
2014-06
Degree
Doctor of Philosophy
Degree level
Doctoral
Abstract
This doctoral dissertation investigates potential political shifts introduced by the post-industrialization of Western societies. After a genealogical analysis that explains why the dimension of the technological has become an increasingly important site of politics for Marxist theory in the post-industrial age, the dissertation examines the work of Michael Hardt and Antonio Negri in order to demonstrate the contradictory way in which these theorists argue that the rise of new information and communication media has actually resulted in a lack or absence of mediation in a political sense. This dissertation asserts that this contradictory formulation of the politics of the post-industrial society is demonstrative of a conceptual incompatibility between contemporary media theory and political philosophy, and, accordingly, the remainder of the dissertation attempts to reconstruct the relationship between these otherwise disparate fields of thought, through a practice described within as comparative political mediaolgy. This combined media and politico-philosophical approach begins with a reading of Plato’s Republic, in which it is argued that Plato’s famous expulsion of the poets from his ideal republic is evidence that media theory and political philosophy in fact share a common genealogical root. Through a close reading of the Republic, this dissertation argues that Plato’s philosophical critique of poetry was not in fact designed to limit discourse within the city-state but was rather an attempt to push the epistemological field of Greek culture beyond the confines of mere handed-down tradition. The final chapter of the dissertation then narrows the object inquiry from the larger field of epistemology to more focused object of political philosophy by theorizing Immanuel Kant’s political theory in conjunction with print technology. Building on Benedict Anderson’s concept of “print capitalism,” this chapter argues that print technology is not merely part of the historical background of Kant’s political thought, but in fact fulfils an important categorical function within his political theory itself: specifically, print technology is proffered by Kant as a solution to the liberal-republican dilemma of how to politicize the modern liberal subject without cancelling out its underlying privatized ontology, which is necessary for the continued reproduction of market society. The dissertation then concludes with some reflections on the historical interconnectedness between print capitalism and liberal political philosophy and argues that the decline of print technology in the post-industrial age offers an opportunity to move beyond the negative freedom characteristic of modern political thought.
Language
English
DOI
doi:10.7939/R3HX15X7R
Rights
Permission is hereby granted to the University of Alberta Libraries to reproduce single copies of this thesis and to lend or sell such copies for private, scholarly or scientific research purposes only. Where the thesis is converted to, or otherwise made available in digital form, the University of Alberta will advise potential users of the thesis of these terms. The author reserves all other publication and other rights in association with the copyright in the thesis and, except as herein before provided, neither the thesis nor any substantial portion thereof may be printed or otherwise reproduced in any material form whatsoever without the author's prior written permission.
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