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Interpreting Identity and Cultural Reflections in Hong Kong’s Transition Cinema: The Phantom Lover (1995) and Fly Me to Polaris (1999)
DownloadFall 2024
This thesis offers an analysis of two Hong Kong films, The Phantom Lover (1995), directed by Ronny Yu, and Fly Me to Polaris (1999), directed by Jingle Ma, and their source texts, examining how they depict the nuances of culture and identity within the context of historical transitions. Hong Kong...
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Spring 2013
This research project focuses on the cinematic depiction of the Indian during different periods of Mexican history. The Indian in Mexican cinema represents a space of ongoing struggle, upon which is discussed the idea of Nation that has been made by the many different actors who are imagining and...
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