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Skip to Search Results- 2Climenhaga, Lily M
- 1Agorde, Wisdom S. K.
- 1Alyousef, Aksam
- 1Amoko, Apollo Obonyo.
- 1Atongi, Emmanuel Bugri.
- 1Badir, Patricia Louise.
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Spring 2021
In 2008 Swiss theatre-maker Milo Rau and a group of collaborators founded the production company the International Institute of Political Murder. Since 2008, Rau and company have created a unique and identifiable brand of documentary-inspired political theatre. Early IIPM projects such as Die...
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Fall 2020
Traditional dramaturgical practice does not adequately account for how emergent digital media can interact with elements of performance in intermedial theatre, leading to an art form that is critically and compositionally inaccessible. When live and not-live components interact on stage, how does...
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Fall 2020
At the end of the 1960s and the beginning of the 70s, political comedy grew exponentially in Syria and Lebanon. This phenomenon was represented mainly in the performances of three troupes: Thorns Theatre (Al-Shuk Theatre مسرح الشوك), Tishreen Troupe (Ferqet Tishreen فرقة تشرين ), and Ziyad...
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A Rhizomatic Analysis of Stage Management in Modern Alberta Theatre Practice: Keeping the Breath Alive
DownloadFall 2019
This is a study of the role of technology in the stage management profession, with a specific focus on professional and social practices, in Alberta theatres. Through the interviews I conducted with five professional stage managers in the summer and fall of 2018, I investigate how stage managers...
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King Me! Alberta Drag King Performance, 1997-2016: Examining Constituency Audiences and The Communicative Functions of Gender
DownloadFall 2018
When it comes to issues of sexual diversity specifically within Canada, Alberta’s history demonstrates a track record of extreme social conservativism and intense policy battles over sexual minority rights. Prior to 2015, the Alberta government consistently “resisted the inclusion of GLBT people...
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Fall 2018
This is a study of the role of the dramaturg in intercultural dramaturgy relationships, with a specific focus on dramaturgs practicing, or with experience practicing, in the multicultural city of Toronto. Through analysis of interviews I conducted with six dramaturgs in the summer of 2017, I...
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Fall 2018
This thesis closely examines postcolonial politics in Francis Imbuga’s Betrayal in the City (1976), The Return of Mgofu (2011) and The Green Cross of Kafira (2013). The study critically uses the postcolonial perspective to assess the three plays diachronically. The postcolonial stance situates...
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Fall 2017
Québécois Director/Writer/Performer/Filmmaker Robert Lepage is internationally recognized for his striking multimedia productions and transformative mise-en-scène. This thesis specifically explores Lepage’s staging of two Igor Stravinsky operas: The Rake’s Progress (2007), and The Nightingale and...
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Fall 2016
Intercultural theatre has seen a significant increase recently on the world stage; however, many well-known contemporary intercultural productions are built on Western traditions incorporating elements from other cultures mostly as exotic embellishment to enrich the original plays without...
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Fall 2016
The following is an analysis of Emmanuelle Marie’s 2003 play CUT as it intersects the theories of Hélène Cixous’ “écriture féminine" primarily expressed through her essays “The Laugh of the Medusa” and “Sorties.” This paper will additionally present an overview to feminine writing along with a...