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Skip to Search Results- 2Kyle Terrence Appelt
- 2Morgan Wedderspoon
- 2Sean Caulfield
- 1Aidan Rowe
- 1Astrid Ensslin
- 1Blaine Campbell
- 6Art and Design, Department of
- 5Graduate and Postdoctoral Studies (GPS), Faculty of
- 5Graduate and Postdoctoral Studies (GPS), Faculty of /Theses and Dissertations
- 5Art and Design, Department of/Master's Theses (Art & Design)
- 3Toolkit for Grant Success
- 2Toolkit for Grant Success/Successful Grants (Toolkit for Grant Success)
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Spring 2015
This thesis explores the post-environmentalist network of writers, artists, and thinkers known as The Dark Mountain Project. It does so by examining Dark Mountain as a literary and cultural phenomenon that has generated a burgeoning literary community and subculture of uncivilisation in response...
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Tick Tock: Insect Figuration, Temporal Estrangement and Historiographic Critique in Postmodern and Contemporary Literature, Art, and Film
DownloadSpring 2019
This dissertation engages with posthumanist and postmodern theory, critical animal studies, and critiques of modern temporality and historiography to examine how insect figures trouble dominant understandings of historical time in contemporary Western literature, film, and art. It argues that...
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Fall 2016
The Anthropocene, the idea that modern humans have the capability to change the environment on geological scales, has grown to prominence as a fashionable method of framing human-driven climate change. Popular across academic disciplines, the Anthropocene has also inspired debates within the...
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2016-01-19
Pilgrimage: being in the End Times “The gap between phenomenon and thing yawns open, disturbing my sense of presence of being in the world” –Timothy Morton In 1784 a fine layer of carbon was deposited onto the Earth’s crust as a result of human coal-fired industries. Timothy Morton attributes...
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2016-01-19
Pilgrimage: being in the End Times “The gap between phenomenon and thing yawns open, disturbing my sense of presence of being in the world” –Timothy Morton In 1784 a fine layer of carbon was deposited onto the Earth’s crust as a result of human coal-fired industries. Timothy Morton attributes...
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2018-02-01
SSHRC IDG Awarded 2018: This research-creation project asks “What is a contemporary landscape?” Building on cultural geographers' insights that the natural environment provides a setting for cultural processes and belief systems, we will explore the history of ideas and images in traditional...
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2016-02-23
From the Surface is an exhibition haunted by the presence of the global ecological crisis. As I implicate the viewer in a web of associations between word, image, and thing, I invite contemplation of our place in a changing world. I seek to unsettle the comfortable illusion that humanity is...
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2016-02-23
From the Surface is an exhibition haunted by the presence of the global ecological crisis. As I implicate the viewer in a web of associations between word, image, and thing, I invite contemplation of our place in a changing world. I seek to unsettle the comfortable illusion that humanity is...
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2021-02-01
SSHRC IDG awarded 2021: As the world faces the consequences of resource depletion, global climate change and the ensuing threat of mass extinction – a sense of which the COVID19 pandemic has only further exacerbated – literature has much to say and teach us about our environmental emergency....
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2019-01-01
Vadim Bulitko, Sean Caulfield, Astrid Ensslin, Daniel Evans, Gillian Harvey, Scott Smallwood, Daniel Laforest, Brad Necyk, Marilène Oliver, Aidan Rowe, Isabelle Van Grimde, Jonathan Garfinkel, Tess Heinricks, Marilene Oliver, Blaine Campbell
DYSCORPIA: Future Intersections of the Body and Technology was a two-year interdisciplinary research project that brought together scholars from art and design, music, digital and medical humanities, radiology, computer science and contemporary dance in order to question what it means not to know...