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  • http://hdl.handle.net/10402/era.24713
  • Archive, Transgender, Architecture: Woolf, Beckett, diller scofidio + renfro
  • Crawford, Lucas C.
  • English
  • transgender
    archive
    architecture
    Woolf
    Beckett
    Diller
    Scofidio
    Renfro
    queer
    fashion
    Deleuze
    Derrida
    space
    modernism
    fiction
    Baum
  • Dec 14, 2011 3:25 PM
  • Thesis
  • English
  • Adobe PDF
  • 2810558 bytes
  • This project favours transgender narratives and affects inspired by exteriority, folds, queer décor, assemblage, and the archive. These spatial models help the project displace models of gender that are grounded in the concepts of enclosure, privacy, and property. As a response to the enforced interiority, integrity, and ownership of the trans subject, the project theorizes transgender as a series of modes (of actions rather than states) that push beyond the conscious agency of sovereign subjects to a new architectonic of “transing” affect. The constellation of modernist architectures that comprise this project share many concerns: how to remember, how to forget, how to transform, how to feel differently, and, ultimately, how to use art and aesthetic inquiry to become something new. First, diller scofidio + renfro’s (DS+R’s) Brasserie space in Manhattan injects cheeky queer-coded décor and fashion into their space as a response to high modernist abjections of “feminine” décor. The architects thereby turn the space into a self-conscious archive of gender. In Virginia Woolf’s Orlando: a Biography, the trans subject itself is treated as precisely such an archive of décor – one whose temporality exceeds and critiques the generic conventions of biography (a genre often respected as the truest form of transgender history and experience). Written just as transgender was becoming codified as a sexological (and medical) subject, Orlando: a Biography shows us an early alternative theory of transgender – one that makes fantasy, art, and writing absolutely central. Woolf’s critique of what this project calls the “biographical imperative” of transgender studies is extended by Samuel Beckett’s cryptic text, The Unnamable, in which the coherence of the subject is pushed to (and perhaps beyond) its limit – to a “groundless” relationship to language not unlike that experienced by trans name-changers. Finally, the project turns from its implicit urbanism (and that of queer theory) to consider, with L. Frank Baum’s The Marvelous Land of Oz, what might happen if less scripted spaces – such as “the rural” – were inhabited both literally and metaphorically by transgender.
  • "Building a Theory of Transgender Architecture." Seattle Journal of Social Justice. Ed. Mary-Beth Leeper et al. June 2010.
  • Doctoral
  • Doctor of Philosophy
  • Department of English and Film Studies
  • English
  • Spring 2012
  • Chisholm, Dianne (English and Film Studies)
    Heyes, Cressida (Philosophy)
  • Simpson, Mark (English and Film Studies)
    O'Driscoll, Michael (English and Film Studies)
    Luhmann, Susanne (Women's Studies)
    Cvetkovich, Ann (English, University of Texas at Austin)