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Permanent link (DOI): https://doi.org/10.7939/R33Z9V

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Indigenous: It Depends How You Look at It. What You Call It. How You Live It. Open Access

Descriptions

Author or creator
Beard, Laura J.
Hopkins, Daniel
Additional contributors
Subject/Keyword
Indigenous
Rebecaa Belmore
identity
Spiderwoman Theatre
performance
Type of item
Journal Article (Published)
Language
english
Place
Time
Description
In this article, we use examples from contemporary Anishinaabe artist Rebecca Belmore and the works of the Spiderwoman Theater Troupe to explore how contemporary Indigenous artists in the Americas negotiate the representation of Indigenous identities, identities which are always performed and entangled in a mesh of geographical locations, cultural practices and ideological borders. Through their artistic productions, many Native artists and authors participate in a larger community of voices discussing what it means to be Indigenous in the Americas and what ethical responsibilities or commitments to community are entailed in and by their work.
Date created
2014
DOI
doi:10.7939/R33Z9V
License information
Attribution 4.0 International
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Citation for previous publication
Beard, L.J., Hopkins, D. (2014). Indigenous: It Depends How You Look at It. What You Call It. How You Live It. Ilha do Desterro. June-December.
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