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Permanent link (DOI): https://doi.org/10.7939/R3S46HD5N

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Theatrical Activism in Vancouver: From the Native Brotherhood and Sisterhood of BC to Marie Clements’s The Road Forward and Back… Open Access

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Author or creator
Couture, S.
Additional contributors
Subject/Keyword
Native Canadian theatre
Marie Clements
Idle No More
Native Brotherhood of British Columbia
NBBC
PuSh Festival
phenomenological acting modes
Type of item
Journal Article (Published)
Language
English
Place
Time
Description
Analyzing the phenomenological performance modes balanced in Marie Clements’s production of The Road Forward during the 2013 Vancouver PuSh festival, I also examine the previous iteration of the project at the Aboriginal Pavilion during the 2010 Winter Olympics. I assert that this production is a continuation of the use of performance as intervention during mega-event in Vancouver by Indigenous performers and activists, linking it to the Native Brotherhood and Sisterhood of British Columbia’s Indian Village and Show during the 1946 celebration of Vancouver’s Diamond Jubilee.
Date created
2015
DOI
doi:10.7939/R3S46HD5N
License information
Rights
© 2015 Couture, S. This version of this article is open access and can be downloaded and shared. The original author(s) and source must be cited.
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2016-10-05T17:55:25.440+00:00
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File format: pdf (Portable Document Format)
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File size: 396024
Last modified: 2016:10:05 11:55:33-06:00
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File author: Selena Couture
Page count: 18
File language: en-CA
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